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	<title>Comments on: Unchain Your Brain Part 5: Learning Traps</title>
	<link>http://gannonbeck.com/2008/04/05/unchain-your-brain-part-5-learning-traps/</link>
	<description>Mental, Physical and Character Fitness + Some Cool Drawings</description>
	<pubDate>Fri, 25 Jul 2008 15:48:19 +0000</pubDate>
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		<title>By: Cam Beck</title>
		<link>http://gannonbeck.com/2008/04/05/unchain-your-brain-part-5-learning-traps/#comment-786</link>
		<author>Cam Beck</author>
		<pubDate>Wed, 09 Apr 2008 18:42:42 +0000</pubDate>
		<guid>http://gannonbeck.com/2008/04/05/unchain-your-brain-part-5-learning-traps/#comment-786</guid>
					<description>That's very interesting about Van Gogh. What a treasure those letters are!</description>
		<content:encoded><![CDATA[<p>That&#8217;s very interesting about Van Gogh. What a treasure those letters are!</p>
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		<title>By: Gannon Beck</title>
		<link>http://gannonbeck.com/2008/04/05/unchain-your-brain-part-5-learning-traps/#comment-792</link>
		<author>Gannon Beck</author>
		<pubDate>Wed, 09 Apr 2008 23:08:55 +0000</pubDate>
		<guid>http://gannonbeck.com/2008/04/05/unchain-your-brain-part-5-learning-traps/#comment-792</guid>
					<description>I agree.  The entire correspondence is fascinating.  

Moving beyond the iconic snap-shots of historic figures has been the most rewarding part of doing research for my writing.  None of them are who I assumed them to be.  I have yet to run across any mutant brains, or super-abilities that the rest of society doesn’t have at its disposal.  

To me, that’s what makes the greatness of those I’ve studied so remarkable:  They’re normal.  I’m normal too — mostly anyway — so this has been a great inspiration to me.  This inspiration is what I try to convey in my writing.  I think we are all capable of greatness of some sort.   In this, I’m certainly not the first to feel this way.  Returning back to Van Gogh’s letters, take a look at what he wrote to his brother just prior to deciding to become an artist.  At the time he wrote this, he was a 27 year old who hadn’t shown any of the signs of greatness we know him for today:

"I would be very pleased if you could see me as something other than a kind of idler.

"Because there are quite different kinds of idler.  There is the man who is idle from laziness and lack of character, from the baseness of his nature.  You can, if you like, take me for one of these.

"Then there is the other kind of idler, who is idle despite himself, who is consumed inwardly by a great desire for action, but who does nothing, because it is impossible to do anything, because it is as if he were imprisoned in some way, because he lacks what he needs to be productive, because inevitable circumstances have reduced him to this.  Such a man does not always know himself what he could do, but he feels instinctively: nevertheless I am good at something, I can sense a reason for my existence!  I know that I could be quite a different man! How could I be useful, what could I do?  There is something within me, but what is it?

"That is quite a different kind of idler.  You can, if you like, take me for one of these."

After writing this, he dedicated himself to his quest to become an artist.  His potential was pent up in him until he was 27.  Longer than that actually, since he had to go through the same painstaking process the rest of us do to develop expertise.  I look at Van Gogh and I wonder just how much pent up potential there is out there in the world.   How many people are idle, like Van Gogh was, because they are ignorant of their own potential and their ability to develop it?   

My mind has been completely unshackled by the implications of this all this.  It’s taking a lot of discipline to finish the book because I feel the irresistible urge to use my time applying all the principles of learning to my art.  I feel, however, that I have to share what I’ve learned first, so onward I write.</description>
		<content:encoded><![CDATA[<p>I agree.  The entire correspondence is fascinating.  </p>
<p>Moving beyond the iconic snap-shots of historic figures has been the most rewarding part of doing research for my writing.  None of them are who I assumed them to be.  I have yet to run across any mutant brains, or super-abilities that the rest of society doesn’t have at its disposal.  </p>
<p>To me, that’s what makes the greatness of those I’ve studied so remarkable:  They’re normal.  I’m normal too — mostly anyway — so this has been a great inspiration to me.  This inspiration is what I try to convey in my writing.  I think we are all capable of greatness of some sort.   In this, I’m certainly not the first to feel this way.  Returning back to Van Gogh’s letters, take a look at what he wrote to his brother just prior to deciding to become an artist.  At the time he wrote this, he was a 27 year old who hadn’t shown any of the signs of greatness we know him for today:</p>
<p>&#8220;I would be very pleased if you could see me as something other than a kind of idler.</p>
<p>&#8220;Because there are quite different kinds of idler.  There is the man who is idle from laziness and lack of character, from the baseness of his nature.  You can, if you like, take me for one of these.</p>
<p>&#8220;Then there is the other kind of idler, who is idle despite himself, who is consumed inwardly by a great desire for action, but who does nothing, because it is impossible to do anything, because it is as if he were imprisoned in some way, because he lacks what he needs to be productive, because inevitable circumstances have reduced him to this.  Such a man does not always know himself what he could do, but he feels instinctively: nevertheless I am good at something, I can sense a reason for my existence!  I know that I could be quite a different man! How could I be useful, what could I do?  There is something within me, but what is it?</p>
<p>&#8220;That is quite a different kind of idler.  You can, if you like, take me for one of these.&#8221;</p>
<p>After writing this, he dedicated himself to his quest to become an artist.  His potential was pent up in him until he was 27.  Longer than that actually, since he had to go through the same painstaking process the rest of us do to develop expertise.  I look at Van Gogh and I wonder just how much pent up potential there is out there in the world.   How many people are idle, like Van Gogh was, because they are ignorant of their own potential and their ability to develop it?   </p>
<p>My mind has been completely unshackled by the implications of this all this.  It’s taking a lot of discipline to finish the book because I feel the irresistible urge to use my time applying all the principles of learning to my art.  I feel, however, that I have to share what I’ve learned first, so onward I write.</p>
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		<title>By: matt w</title>
		<link>http://gannonbeck.com/2008/04/05/unchain-your-brain-part-5-learning-traps/#comment-1107</link>
		<author>matt w</author>
		<pubDate>Mon, 21 Apr 2008 14:23:25 +0000</pubDate>
		<guid>http://gannonbeck.com/2008/04/05/unchain-your-brain-part-5-learning-traps/#comment-1107</guid>
					<description>Intresting article, the bit about being an idler gave me a kick up the arse, and today i made the first step to get back into education, in Information Tech.Not sure ill rack up 10 000 hours in the subject im just going to concentrate on getting through the first hour.
Keep up the good work. This site is proving invaluable!
cheers.
Matt</description>
		<content:encoded><![CDATA[<p>Intresting article, the bit about being an idler gave me a kick up the arse, and today i made the first step to get back into education, in Information Tech.Not sure ill rack up 10 000 hours in the subject im just going to concentrate on getting through the first hour.<br />
Keep up the good work. This site is proving invaluable!<br />
cheers.<br />
Matt</p>
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		<title>By: gannonbeck</title>
		<link>http://gannonbeck.com/2008/04/05/unchain-your-brain-part-5-learning-traps/#comment-1152</link>
		<author>gannonbeck</author>
		<pubDate>Wed, 23 Apr 2008 21:09:20 +0000</pubDate>
		<guid>http://gannonbeck.com/2008/04/05/unchain-your-brain-part-5-learning-traps/#comment-1152</guid>
					<description>Thanks Matt,

It sounds like your on the right track. 

"Not sure ill rack up 10 000 hours in the subject im just going to concentrate on getting through the first hour."

This statement was prophetic.  On the next post on the subject I will talk about planning, which will make you feel good about your approach.

Gannon</description>
		<content:encoded><![CDATA[<p>Thanks Matt,</p>
<p>It sounds like your on the right track. </p>
<p>&#8220;Not sure ill rack up 10 000 hours in the subject im just going to concentrate on getting through the first hour.&#8221;</p>
<p>This statement was prophetic.  On the next post on the subject I will talk about planning, which will make you feel good about your approach.</p>
<p>Gannon</p>
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		<title>By: How Draw</title>
		<link>http://gannonbeck.com/2008/04/05/unchain-your-brain-part-5-learning-traps/#comment-1705</link>
		<author>How Draw</author>
		<pubDate>Mon, 02 Jun 2008 18:02:47 +0000</pubDate>
		<guid>http://gannonbeck.com/2008/04/05/unchain-your-brain-part-5-learning-traps/#comment-1705</guid>
					<description>Thank you for the post, especially about the Vincent Van Gogh part, I have 3,000 art students and I am going to print it off and give it to all my art directors and teachers. 

Thanks again!</description>
		<content:encoded><![CDATA[<p>Thank you for the post, especially about the Vincent Van Gogh part, I have 3,000 art students and I am going to print it off and give it to all my art directors and teachers. </p>
<p>Thanks again!</p>
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